Professional SDI monitoring
for live, broadcast and on-site production.
PLUMA is a range of SDI production monitors built around one idea: give the operator a clean, accurate image and the connectivity to put it anywhere in the signal chain — in a gallery, an OB van, an opera pit or a video village.
All the precision tools. As standard.
Image you can trust.
Every PLUMA is engineered for faithful reproduction across the standards you work in. The colour engine manages each input to its target — Rec.709, EBU, SMPTE-C — and works in BT.2020 for the wide-gamut HDR pipelines that modern live and broadcast production increasingly demand. As with reference displays in this class, the panel operates within BT.2020 without covering the full gamut, and we state that plainly: a monitor earns trust by being precise about what it shows.
Wide 178° viewing angles, horizontal and vertical, keep colour and contrast stable off-axis — so a director, a client and an operator see the same image from anywhere around the monitor, not just the one sitting square to it.
Brightness is matched to the job. Standard models deliver 500 to 900 nits for controlled environments; high-bright models reach 1500 nits for confident viewing under stage and daylight conditions, and for HDR emulation that holds up when the light doesn't cooperate. 10-bit panels on the 24" and 4K models render smooth gradation without banding.
Quad View on every model.
Multi-view is standard across the entire range, not an option reserved for the flagship. View up to four sources at once, each handled independently, or switch any input to full screen instantly. One PLUMA does the work of several displays in a video village or a gallery — no extra licence, no extra hardware.



Ultra Low Latency Mode
Fast. And nothing switched off.
When the picture has to arrive now.
A conductor watching a screen isn't watching television. If the image lags, the orchestra drifts. For decades the answer was a CRT, instant, and now gone. Its digital replacements introduced delay, and delay is the one thing this job can't absorb.
Ultra Low Latency Mode processes the signal entirely in our own FPGA hardware, straight to the panel. No frame memory, no buffer, no wait.
And nothing gets switched off.
Most low-latency modes buy their speed by shutting things down. Brightness, contrast, saturation, greyed out, unavailable, until you go back to normal mode and give the speed back.
Ours doesn't ask for that trade. In Ultra Low Latency Mode every picture adjustment stays live: brightness, contrast, colour, the whole set, exactly as you'd expect them. Fast and calibrated, at the same time.
Connectivity that adapts to your installation.
This is where PLUMA earns its place in a real workflow. Two of the SDI connectors are fully configurable — assign each as an input or an output — so the monitor fits the cabling you already have, instead of forcing you to rework the rack around it. Every input offers a loop output for chaining downstream devices without a separate distribution amplifier.
The 12G range adds dual 12G-SDI in and out alongside the 3G inputs. An SFP slot accepts optical fibre and ST 2110 inputs up to 3G — a single fibre run carries the signal over long distances, across a stadium, a venue or a building, where coax can't reach, with no repeaters and no loss. One PLUMA, the same panel, ready for a 3G gallery today and a 12G/fibre infrastructure tomorrow.
A 4K HDMI input and full Ethernet control round out the connectivity. Drive source, layout and configuration across a whole wall of monitors from a single point — without reaching behind the rack mid-show.
Engineered to run cool. Built in Europe.
PLUMA is built on an efficient hardware design, and that shows where it matters on site. At a given brightness, a PLUMA draws notably less power than comparable production monitors — a 24" runs at 48 W — which means less heat to manage in a wall of displays inside a van or a gallery, and a lighter load on power and air conditioning. The chassis is shallow (65–72 mm deep) and light (from 4.5 kg), so PLUMA mounts cleanly on a yoke, a wall or a desk, and fits where deeper monitors won't.PLUMA is developed and manufactured in Barcelona. Support and repair are handled in Europe, at component level — so a monitor you depend on during a live production is backed by the people who built it, without shipping a unit across the world and waiting weeks for its return.


Ready to Elevate Your PLUMA 12G Experience?
Don't let outdated equipment slow down your workflow. Discover how PLUMA 12G can streamline your operations with professional-grade performance and zero-compromise reliability.
Take the Next Step:
- ✓ Request a Personalized PLUMA 12G Demo: See the full capabilities in a live session tailored to your needs.
- ✓ Get a Custom Quote: Our engineering team is ready to tailor the perfect solution to your specific requirements.
- ✓ Download the PLUMA 12G Brochure: Get full technical specifications and detailed product information.
And much more ...
The built-in waveforms and vectorscope provide valuable tools for ensuring that your signal is accurate and your colors are balanced. And with signal alarms, markers, tallys, Audio level meters, false colour, focus assist and other features you can stay on top of any issues that arise during your broadcast, ensuring that you always deliver a flawless performance.
PLUMA-12G Monitors also include an SFP module slot, adapt them to your needs and easily expand your input options with our optional SFP modules, including optical fiber, HDMI, and accepts IP SMPTE-2110 and IP SMPTE-2022 modules too, making it easier than ever to integrate into your existing IP infrastructure. With the ability to add more inputs in the future, you will never have to worry about limitations when it comes to your broadcast setup.
Upgrade to our high brightness Broadcast monitors today and experience the ultimate in flexibility, adaptability, and cutting-edge technology - the perfect choice for any professional broadcast setup.
HDR Pre-visualization
HDR Pre-visualization (HLG, PQ, SLOG) with tetrahedral LUT interpolation engine of 4.913 points (17x17x17)
3D LUT
3D LUT Color Management options for accurate reproduction of all standard sources (Rec709, EBU, SMPTE-C and DCI) and custom color spaces
SFP Slot
Adapt your monitors to your needs, select one of the optional SFP modules (optical fiber, HDMI,...) and add more inputs in the future! NOW IP SMPTE-2110 and IP SMPTE-2022 AVAILABLE!
12 bit image processing
Superior quality 12 bit image processing engine that offer smooth gradients without banding.
Markers
Wide range of markers and security areas are available with line color and curtain transparency selection. A User Marker is available if any of standard markers fits your requirements.
Color Temperature and Gamma Selection
Professional colorimetry broadcast adjustments, with Gamma Correction and color Temperature selection (5600K, 6500K, 9300K and user with Red, Green and Blue, Gain and Bias adjustments)
Blue, Red and Green Only, and Monochrome
Blue Only, Red Only, Green Only, Blue All, Red All, Green All, Monochrome and Inverse.
16 Channel Audio Level Meter
Display up to 16 Channel Audio Level Meters with a wide range of options (All together, Separate in pairs-odds,.. Selectable Yellow and Red color level and two different sizes.
Waveform & Vectorscope
Real time color Waveform and vectorscope. Select between RGB, R, G, B, YCbCr, Y, Cb, Cr Waveform and two different sizes of scopes. Locate the scopes anywhere on the source quadrant.
Timecode and Source Format Information
On screen ATC Timecode information and Video Format Information
Alarms
On screen video and audio alarms with selectable color and time selection. No Input, Black Image, No Audio, Silence.
Tally and UMD
Red, Green and Yellow tally and 16 character UMD compatible with TSL 3.1 and TSL 5.0. Three tally modes available: Square, Border and UMD (all can be activated together)
Focus Assist
Ajdustable focus assist. Multiple different colors.
False color
Check exposure of your image using False color tool.
1:1 Pixel Mapping
1:1 pixel mapping of sources wich resolution is different than the native resolution of the panel.
PaP - Picture and Picture
Visualize Picture and Picture of your SDI sources with all scopes and resizing capability
Border & Text color selection
Selectable Border and Text color. Available colors: black, white, red, green, blue, cyan, magenta, yellow and 7 grey levels.
Encoder & Dual Functionality Direct Keys
Encoder to easy navigate through the OSD menu, and direct keys with dual functionality (fixed/configurable). Activate [Fn] Mode to the keys with your custom configuration and access your favourite adjustments just with a press. Keys LED lights can be turned off if required for dark environments.
Explore our PLUMA series
See every detail, solve every challenge. Discover why the PLUMA series is the professional choice for mission-critical broadcast environments.
Monitor Quick Comparison
PLUMA 12G-SDI
| Model | SDI Interface | Screen | Resolution | Brightness | Panel | Power Supply | Consumption |
|---|---|---|---|---|---|---|---|
| CM185P12G | 12G | 18.5″ | 1920x1080 | 500 cd/m² | 8 bit | 12V (3.5A) | 42W |
| CM215P12G | 12G | 21.5″ | 1920x1080 | 500 cd/m² | 8 bit | 12V (3.5A) | 42W |
| CM215PB12G | 12G | 21.5″ | 1920x1080 | 1500 cd/m² | 8 bit | 24V (3A) | 72W |
| CM238PB12G | 12G | 23.8″ | 1920x1080 | 600 cd/m² | 8 bit | 12V (4A) | 48W |
| CM240PB12G | 12G | 24″ | 1920x1200 | 900 cd/m² | 10 bit | 24V | TBD |
| CM270P4K | 12G | 27″ | 3840x2160 | 800 cd/m² | 10 bit | 24V (3.5A) | 84W |
PLUMA 3G-SDI
| Model | SDI Interface | Screen | Resolution | Brightness | Panel | Power Supply | Consumption |
|---|---|---|---|---|---|---|---|
| CM101PB3G | 3G | 10.1″ | 1920x1080 | 1200 cd/m² | 8 bit | 12V (2A) | 24W |
| CM185P3G | 3G | 18.5″ | 1920x1080 | 500 cd/m² | 8 bit | 12V (3.5A) | 42W |
| CM215P3G | 3G | 21.5″ | 1920x1080 | 500 cd/m² | 8 bit | 12V (3.5A) | 42W |
| CM215PB3G | 3G | 21.5″ | 1920x1080 | 1500 cd/m² | 8 bit | 24V (3A) | 72W |
| CM238PB3G | 3G | 23.8″ | 1920x1080 | 600 cd/m² | 8 bit | 12V (4A) | 48W |
| CM240PB3G | 3G | 24″ | 1920x1200 | 900 cd/m² | 10 bit | 24V | TBD |











